Repo! The Genetic Opera (2008)

If the thought of watching a low-budget slasher/Goth musical co-starring Paris Hilton makes your blood run cold, you’d do best to stop reading now, because you won’t find a truer example of this incredibly rare sub-genre than Repo! The Genetic Opera, from Saw sequel director Darren Lynn Bousman. If, however, you find yourself intrigued, by all means read on … and please seek some obviously much-needed psychiatric help.

Joining the hotel heiress are The Devil’s Rejects’ Bill Mosely and Skinny Puppy’s Ogre as the scions of Paul Sorvino, the ruthless owner of Geneco, the medical corporation that essentially rules a future world where elective organ transplantation is the norm. Diagnosed with an inoperable fatal disease, Sorvino sets in motion his plan to gain his final revenge on a past romantic rival (Anthony Head), which involves the corruption of the man’s sheltered young daughter (Spy Kids’ Alexa Vega).

Also along for the ride is a still-fetching Sarah Brightman as Blind Mag, Geneco’s spokeswoman, whose upcoming retirement comes at a significant price. The film’s title references Head’s day job, which requires him to repossess the organs of unlucky Geneco customers unable to make their payments.

Bloody and over-the-top, the film plays like an oddly compelling combination of Ken Russell’s Tommy and Tim Burton’s Sweeney Todd, and while it doesn’t measure up to either of those films, it does feature impressive production values for what was obviously a very low budget, and a wordless cameo from Joan Jett, which is the best kind of cameo there is. —Allan Mott

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4 thoughts on “Repo! The Genetic Opera (2008)”

  1. I would add that if you are not a fan of industrial music, this is not the movie for you. I liked the gore, the concept, and the production design, but I had to turn it off because the music is godawful.

  2. I saw the stage production of the musical first (it contained several songs that were not used in the movie) and like it enough to watch the movie. Loved both.

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