Joy of Sex (1984)

Based on Dr. Alex Comfort’s bestselling sex manual (but not really), Joy of Sex is, irony against ironies, a film as largely joyless as it is sexless. Paramount Pictures thought it had a potential National Lampoon’s Animal House on its hands; the Lampoon thought otherwise and took its name off the title — a smart move the brand would not do today.

The story, as it is, can be described in two lines: Mistakenly thinking she’s terminally ill, high school good girl Leslie (the appealing Michelle Meyrink, Real Genius) desperately wants to lose her virginity. Meanwhile, classmate Alan (Cameron Dye, Out of the Dark), being a young man, also desperately wants to lose his. As staged by Valley Girl director Martha Coolidge, the movie is not so much driven by plot as it is a series of one-joke, one-note sketches of scenes held together with wads of bubble gum from underneath desks.

What any other teen comedy would develop into a subplot, Joy of Sex tees up and lets sit there to die. Chief among them is the lovely Colleen Camp (Police Academy 2: Their First Assignment), a police narc working undercover as a transfer student. Not only do we not see her bust (pun not intended, yet now I cannot resist) a kid, but her character disappears. Another: Back to the Future’s Christopher Lloyd plays the school coach who also is Leslie’s overprotective father; he makes it known the harm he will inflict on anyone who messes with his little girl. This, too, is never paid off.

Yet perhaps the best example of the script’s deficiencies — and a statement on the movie’s overall freshness date — concerns foreign exchange student Farouk (Danton Stone, Crazy People), who is told by Alan’s all-American buddies that the proper way to show appreciation to his host family is to compliment the evening meal by saying, “Thank you for the shit.” Cut to a dinner scene, where the utterly predictable (and wholly unfunny) punch line is kept from being delivered for such a needlessly extended time, you wonder why Coolidge even bothered. In essence, Farouk’s line functions as a microcosm of Joy of Sex as a whole: something that was finally let loose and put out of its misery. —Rod Lott

Get it at Amazon.

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