To cut right to the chase, as many skinflint movies of the studio in question did, any AIP fan is going to want to own Rob Craig’s American International Pictures: A Comprehensive Filmography, and their desire will not go unrewarded. Ignore the off-putting cover, because the hefty McFarland & Company paperback delivers the proverbial groceries, … Continue reading American International Pictures: A Comprehensive Filmography →
Popular culture owes Larry Buchanan a mountain of debt, because if not for the Texas-based filmmaker’s Mars Needs Women, what other dialogue could MARRS possibly have sampled for its smash hit, “Pump Up the Volume”? (And then, by extension, that Christian Slater movie would have been titled something generic like Teen Rebel DJ.) But Buchanan’s … Continue reading Mars Needs Women (1967) →
Maybe I’ve got a thing for 100-year-old widows, because the 59-minute wonder known as The Naked Witch did it for me. This, despite an overnarrated, history lesson disguised as a nine-minute prologue — a slideshow of encyclopedia illustration after encyclopedia illustration that is less about educating audiences on witchcraft through the ages and more about … Continue reading The Naked Witch (1961) →
Of the three collaborative volumes between Michael S. Price and John Wooley in the ongoing Forgotten Horrors series I’ve read thus far, Forgotten Horrors to the Nth Degree: Dispatches from a Collapsing Genre is the best. It speaks directly to the film geek in me, saying, “Hey, read me, film geek.” It also is different … Continue reading Forgotten Horrors to the Nth Degree: Dispatches from a Collapsing Genre →
In In the Year 2889, fashions have devolved to the late 1960s. Oh, and nuclear war has occurred, leaving an old, curmudgeonly military man and his pretty daughter alone and holed up in their quiet, isolated valley home. He has just enough rations for three people: himself, his daughter and her fiancé, for whom they’re … Continue reading In the Year 2889 (1967) →
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