Las Vegas Lady (1975)

Las Vegas Lady begins, appropriately enough, in a theme park and wax museum. But it’s not as much fun as either. I’m going to dish out blame to a mood-setting (read: mood-destroying) country-rock theme song that’s worse than any turd ever dumped onto drive-in screens by Crown International Pictures.

Said song is about Lucky, played by government-certified MILF Stella Stevens. As the tune goes, “She’s a winner and a sinner,” and the plot is only slightly more complex. In the opening moments, a shadowy figure in a cowboy hat ropes her into a job of robbing a Vegas casino of β€” pinky toward mouth, Dr. Evil β€” half a million dollars! The place deserves to lose it, because the unsmiling owner (George DiCenzo, Helter Skelter) is a real douche.

It’s a not-so-ritzy joint where the entertainment isn’t Goth magicians, killer tigers or stick-up-the-ass Billboard divas, but a chintzy circus act starring three busty trapeze artists, one of whom is sick of all the flying around. Lucky corrals her (Linda Scruggs) and a token black woman (Lynne Moody, Scream Blacula Scream) to aid her in the gig, along with Lucky’s fuck buddy (Stuart Whitman), who works security there and won’t stop asking her hand in marriage, even though she’s hot and he’s … well, like a beer gut in unkempt human form.

Ocean’s Eleven this is not, as the heist is as low-tech as the casino, which may as well have wood paneling. It’s so bottom-barrel by today’s standards that you can smell the Pall Mall through the screen. The biggest element into pulling the job off are Stevens’ pendulous breasts, which distract WKRP‘s Frank Bonner, forever endanger the PG rating, and mitigate that the big twist is obvious from the first scene. β€”Rod Lott

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