Countess Perverse (1974)

Stay as a guest at the luxurious, sprawling, Spanish island home of Count and Countess Zaroff (Perverse must be a nickname) and you’ll be afforded the finest, most generous cuts of meat for dinner. The Countess (Alice Arno, Justine de Sade) hunts it; the Count (Howard Vernon, The Awful Dr. Orlof) cooks it. Never mind that this “wild game” is human — just enjoy the protein intake and the circle of life in action.

See, in Jess Franco’s Countess Perverse, the couple lure nubile young things to their private isle for dining, wining and wham-bam-thank-you-ma’am-ing. But at dawn, the guest du jour becomes the hunted. She’s let loose at dawn with a 10-minute head start; if she can survive ’til 9 p.m. without being pierced by the Countess’ arrows, she’s set free.

And if not, “you become a tender and succulent roast for our table.” Trouble is, this Most Dangerous Game update occupies only the last 25 minutes of the plodding picture; what lies before is explicit sex — the really boring kind. I lost count of how many couplings and threesomes took place, but many are girl-on-girl, which makes it laughable that one of the film’s alternate theatrical titles was The Munchers.

Speaking of, Franco muse Lina Romay displays a thatch large enough to double as a throw rug. As Silvia, she’s the latest prey to the predator Countess, and both participate in this sport full-frontal. At least the seaside scenery is gorgeous — and this time, I’m really not referring to the ladies. —Rod Lott

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