Eliminators presents itself like the pilot episode for a series the network suits decided against ordering, so they burned it off as a TV movie of the week. It even concludes with the we-don’t-have-an-ending freeze frame of our heroes smiling and laughing — in that beyond-clichéd way Ron Burgundy and his Channel 4 news team parodied in Anchorman: “We are laughing and we are very good friends. Good buddies sharing a special moment … laughing and enjoying our friendship.”
Of course, Eliminators was not a television show; it’s a feature from Charles Band’s Empire Pictures, directed by Peter Manoogian (Seedpeople), but the real creative force at work is the screenwriting duo of Paul De Meo and Danny Bilson. One can see the fun-loving seeds of their later superhero projects take sprout, including The Rocketeer and the 1990 TV series of The Flash.
Based not on any pre-existing property, Eliminators assembles a ragtag group of five disparate do-gooders:
• Mandroid (Patrick Reynolds, Battle Force), who’s half-man, half-android;
• the bra-less and brilliant scientist Nora Hunter (Denise Crosby, Pet Sematary);
• her pet robot,
• pirate captain Harry Fontana (Andrew Prine, Terror Circus), whose powers amount to being surly and steering a boat;
• and Kuji (Conan Lee, Gymkata), a martial-arts master on hand to lend diversity just before the movie ends.
Together, they seek to end the evil bidding of Mandroid creator Dr. Reeves (Roy Dotrice, 1972’s Tales from the Crypt) and his time machine. There is little more to it than that, and Manoogian ably gets the crew from point A to point B. Crosby has never been more forthright or adorable, and Prine, ever the pro, gives a performance as spirited as if he had landed a million-dollar payday. His angry monologue midway through this trifle serves as its ideal description and review: “What is this, anyway, some kind of goddamn comic book? We got robots; we got cavemen; we got kung fu! … This is some kind of weird-ass science-fiction thing, right?”
Correct! As rousing as this adventure is, it’s a shame Eliminators never got a second chapter. But the Mandroid sure as hell did, as concept-recycler Band resurrected the machine man for a pair of inferior Full Moon films: 1993’s Mandroid and its immediate sequel, Invisible: The Chronicles of Benjamin Knight. —Rod Lott