The Tunnel (2019)

If the makers of the Norwegian disaster movies The Wave and The Quake have no plans to round out their trilogy, the makers of the Norwegian disaster movie The Tunnel have done it for them — or at least gave it a valiant try.

On a very snowy Christmas Eve, a bunch of people — and one hamster — get trapped inside a 5.6-mile tunnel on a mountain pass. Blame falls on the driver of a fuel tanker spooked by a plastic bag. His overreaction causes an accident that, one leak later, turn into a full-blown explosion that fills the tunnel with deadly smoke. With no emergency exits existing, the victims’ only hope is the nearby village fire department.

While not the chief, our Viggo Mortensen fill-in hero is Stein (Thorbjørn Harr, Stockholm), a widow with a new love (Lisa Carlehed, Department Q franchise reboot The Marco Effect) and a resentful, pink-haired teen daughter (newcomer Ylva Lyng Fuglerud). Naturally, the latter angrily runs from an argument with Dad straight on a bus to Oslo — a bus now stuck in the tunnel, giving Stein all the impetus to whip into Sylvester Stallone mode.

The Tunnel is reminiscent of Stallone’s own tunnel thriller, 1996’s Daylight, in that both become mighty tedious shortly after the disaster occurs. Here, after Villmark Asylum director Pål Øie spends about 30 minutes placing his flammable pawns on the board, the tanker goes kablooey; as the dust settles, so does the picture’s pulse. It’s well-made and the characters are likable, but when the rescue half arrives, predictability takes center stage and doesn’t allow enough variety to join. —Rod Lott

Get it at Amazon.

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